Writers & Books
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Literary Awards: TS Eliot prize goes to Ocean Vuong's 'compellingly assured' debut collection

Literary Awards: TS Eliot prize goes to Ocean Vuong's 'compellingly assured' debut collection | Writers & Books | Scoop.it
Night Sky With Exit Wounds, the debut collection by a poet who is the first literate person in his family, hailed as ‘the definitive arrival of a significant voice’
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Poem: 'Aubade with Burning City' by Ocean Vuong, award-winning poet

Poem: 'Aubade with Burning City' by Ocean Vuong, award-winning poet | Writers & Books | Scoop.it
            Milkflower petals on the street
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Poem: 'On Earth We’re Briefly Gorgeous' by Ocean Vuong, award-winning poet

Poem: 'On Earth We’re Briefly Gorgeous' by Ocean Vuong, award-winning poet | Writers & Books | Scoop.it
Opening stanzas:

Tell me it was for the hunger
& nothing less. For hunger is to give
the body what it knows

it cannot keep. That this amber light
whittled down by another war
is all that pins my hand

to your chest.
bobbygw's insight:
Poetry Magazine profile:

Born in Saigon, poet and editor Ocean Vuong was raised in Hartford, Connecticut, and earned a BFA at Brooklyn College (CUNY). In his poems, he often explores transformation, desire, and violent loss. In a 2013 interview with Edward J. Rathke, Vuong discussed the relationship between form and content in his work, noting that “Besides being a vehicle for the poem’s movement, I see form as … an extension of the poem’s content, a space where tensions can be investigated even further. The way the poem moves through space, its enjambment or end-stopped line breaks, its utterances and stutters, all work in tangent with the poem’s conceit.” Acknowledging the ever-increasing number of possible directions each new turn in a poem creates, Vuong continued, “I think the strongest poems allow themselves to collapse completely before even suggesting resurrection or closure, and a manipulation of form can add another dimension to that collapse.”
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