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Simon Staffans's curator insight,
April 22, 2016 3:38 PM
Some essential reading on VR
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Mike Jones: "In any discussion and professional practice of ‘new media’ there is a swag of terminology that gets kicked around; cross-media, multi-platform & transmedia, interactive and pervasive media, emergent, non-linear and participatory storytelling, etc etc…"
The Digital Rocking Chair's insight:
This post is full of interesting nuggets of information. From definitions, to examples, to process and opinion, this post takes you past cross-platform, multi-platform, and transmedia, into the realm of immersive experiences.
Henrik Safegaard - Cloneartist's curator insight,
January 28, 2013 5:21 AM
Very interesting reading - 
Katie Frank's curator insight,
January 28, 2013 2:15 PM
Integrated writing, many modes for writers today.
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![Immersive Storytelling for The Lost Children [#Transmedia] | Transmedia: Storytelling for the Digital Age | Scoop.it](https://img.scoop.it/v8eqX5OOPTFsL2Gyug0GqDl72eJkfbmt4t8yenImKBVvK0kTmF0xjctABnaLJIm9)
Mark Harris: "[...] the premiere is not just about coming to see a film, it’s about coming out for a whole evening of exploring the story world, with the film being one aspect of that exploration."
The Digital Rocking Chair's insight:
This is the first in a series of posts examining the storyworld premiere of The Lost Children. I, for one, am looking forward to reading more ... Tags: Storyworlds, Transmedia, Filmmaking
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The Digital Rocking Chair's insight:
Mike Jones: "What place has a writers-room in the development of a museum exhibition? How do you write a spatial, immersive narrative for a museum audience? What is the role of Genre and Dramatic Storytelling to a Museum collection?"
Justin Nalepa's curator insight,
February 11, 2014 11:18 AM
I'm really intrigued by this thought process:
"This idea of research positioned as a Secondary rather than a Primary phase of exhibition development, may seem an anathema to traditional museum process but it is fundamental to an audience-centric rather than curator-centric result. By framing the storyworld at a high level first, the process of researching has parameters built from the intended experience of the audience, rather than the subjective or personal inclinations of curators or an pre-determined idea of ‘knowledge that should be imparted’. "
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Mark Harris: "Part 1 of this series laid out the overall plan for The Lost Children Premier event at Film Society of Lincoln Center in January 2013. In this post, I’m going to focus on some thinking behind the live immersive portion of the event."
The Digital Rocking Chair's insight:
Continuing this excellent series of posts ....
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DRC: Interesting infographic with link to VR Writers Room White Paper on immersive entertainment.