Everything about Helvetica is repellant: from its uptight aura to its smug, splendid isolation. How it persists in the face of such brilliant alternatives as Frutiger and Syntax defies logic.
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Here Smashing Magazine's Alastair Johnston explains, in great detail, why Helvitica (and it's Microsoft knockoff Arial) is a hard to read font matter what pretty pictures a designer tries to paint with it.
See yesterday's post about the movie Helvitica for the PRAISE veiew;
http://sco.lt/8UvgiP